The post for this week is written by
Sam Powell, a regular contributor to this blog.
At
the time of writing, we have reached the halfway point in the series of
lectures replacing the Wonderful Things 2020 conference. Unfortunately, due to
the ongoing lockdown, the Egypt Centre were unable to host their second annual
conference in Swansea, which was scheduled to take place this past weekend, 23–24 May (fig. 1). Ever resilient, the Egypt Centre, amongst other resources
(see Ken’s previous blog
post), have utilised the Zoom platform to host a series of bi-weekly
lectures in lieu of the conference. The decision was made to make the Wonderful
Things conference lectures free of charge, which has been an amazing
opportunity to share the collection on a global scale. To date, 1,084 people have
attended these lectures, and 1,470 have viewed
the lectures afterwards on the Egypt Centre’s
YouTube channel.
Fig. 1: Wonderful Things conference poster |
Many
of the talks so far have related to objects discussed in past blog posts; Ken
Griffin discussed the history
of the Egypt Centre in his first talk, and then for his second he presented
the object life cycle of the Tjenti
lintel, which seems to have passed through a wide range of collections and
been examined by a range of famous faces. John Rogers and Katherine List gave
an update on the conservation work on the faience
whistle, as well as a run through of many of the musical objects within the
collection. Megan Clark provided an overview of paddle
dolls (fig. 2), including our example with its unique motif of a frog,
showing examples from a range of collections. A walk-through of the Egyptian
objects in Swansea Museum and their relevance to the local community was
presented by Carolyn Graves-Brown, during which many Swansea locals shared
their memories of some of the objects. Aidan Dodson’s talk shared some
fascinating new developments regarding the stone coffin fragments belonging to Amenhotep
son of Hapu, which he and Ken have been virtually reconstructing along with
fragments held in other institutions. In addition to these talks, I was also
allowed to give an overview of the funerary
figures I have been working on.
Fig. 2: Egypt Centre paddle doll (W769) |
The
talks have led to a real sense of community with a global audience with a varying
range of previous knowledge of the collection. Delegates have been very
encouraging of the presenters, and plenty of questions posed by the audience. It’s
been impossible to choose a favourite lecture from the conference as all the
topics have been so different covering different aspects of researching objects
ranging from material analysis of the faience whistle during its conservation,
the relevance of the Swansea Museum collection to the local area, and the more
recent life cycle of the Tjenti lintel. This range of approaches to the objects
has really demonstrated the scope of the material held by the Egypt Centre. There
are still ten lectures to follow on a variety of objects, the details of which
can be found on the booking page here.
The Zoom platform is very easy to use, so if you haven’t booked already for the
remaining lectures, please do join us!
Fig. 3: Sam preparing to start her talk |
Regular
readers of this blog will be familiar with my previous posts on my ongoing
research into the funerary
figures (fig. 4). I have been helping with the series of lectures by
co-hosting with Ken to moderate the sessions and helping with any technical
difficulties. Therefore, I felt I had gotten the hang of using the virtual
lecture room, but it was very different when presenting my own research—especially
with the added pressure of realising two of the leading experts on your subject
are “in the room”! It was such a useful experience to share my research with a
much wider audience than I ever have before, and I’ve received some really
lovely messages of support and encouragement from all over the world.
Fig. 4: The Egypt Centre’s collection of wooden funerary figures |
I
am so grateful to the Egypt Centre for encouraging students such as myself not only
to research the collection, but also to present our findings to a wider
audience. The Wonderful Things conference
may not have been exactly as the Egypt Centre had in mind when planning started
all those months ago, but it has actually allowed the museum and its objects to
reach a much broader audience, many of whom had never heard of the Egypt Centre
before but are now planning a visit as soon as it reopens. The staff at the
Egypt Centre have truly risen to the challenge of keeping those of us with an
interest in Egyptology occupied over these very strange few weeks, and although
we can’t, for now, access these objects in person, this is the next best thing.
The Egypt Centre is proving to be one of the leading providers of online
material, with an online course starting this week on funerary artefacts using
Egypt Centre objects, a weekly series of “Bitesize” videos giving short
introductions to different objects in the collection, use of the AURA app to
allow you to listen to audio clips about each object, and the Come and Create (video below) events becoming online tutorials.
I’m
really proud of the Egypt Centre for leading the way in these unusual times and
really rising to the challenge of ensuring access to the collection continues
in whatever guise it can. Well done to everyone involved!
Is it possible to get a high resolution image of the funerary figurines? They actually seem quite individually stylized.
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