My
first handling session was during a module in my second year, where I wrote a
research project about an object in the House of Life. Ever since, I
have loved learning about the stories of the artefacts in the Egypt Centre. This
week, we were learning about the history and civilisation of the Middle
Kingdom, with six objects from that time period selected. During the session I
found out that almost all the objects were stone statues or statuettes. The
Middle Kingdom was known to be one of the great glory periods of Egyptian
history, a classical period of literature and art,
as can be seen from the objects chosen this week. We could see that there was a
standardised style of artwork on most of the objects we handled.
Fig. 1: Statue of a man (W845) |
The
first objects I handled were two broken heads from statuettes, which are made
of steatite. One of them (W845) depicts a figure of a man with his hand
underneath his cloak, who may have originally been seated or standing (fig. 1).
As this figure may have been seated, I think this man was most probably a high
official or worked as a scribe. The other (W842) is identified as a female
figure because of the “Hathor wig”, which is a typical style of the period
(fig. 2).
W.842: Statue of a woman (W845) |
The
heaviest object was a huge plaster cast replica of a statue in the British
Museum (BM EA 24385), which depicts the Royal Scribe and Chancellor, Senebtyty (W1012).
He is shown (fig. 3) wearing a piece of clothing that looks a bit like a towel,
a dress which is typical of the Middle Kingdom (Robins 1997, fig 128). There
are hieroglyphs on the base and on the back pillar, which were also common on many
Egyptian statues. An interesting thing I learnt was that if Henry Wellcome was
not able to buy an object, he bought or commissioned replicas like this one.
Fig. 3: Cast of a statue of Senebtyfy (W1012) |
W847
is a siltstone, funerary statue of an unknown couple (fig. 4), which perhaps
comes from the tombs at Aswan. This statue may depict and belong to the person
who was buried, with the deceased being either the man or the woman.
Unfortunately, there is no inscription on the object, so we do not know who
this object depicts. The standardised artwork mentioned previously is
noticeable on all the objects I have mentioned so far. They all have big ears
and a slight smile, which was typical of the late Middle Kingdom. The wide eyes
look like the archaic style of ancient Greece, which was copied from the
Egyptians. W847 and W1012 also have huge hands and feet, which are not in
proportion with the rest of the body.
There
were two objects which were not made of stone. One was a wooden tomb model (W434) and the other was a wooden goose (W588), which are normally on display
in the House of Death gallery. The wooden tomb figure (fig. 5) was used in a
funerary context and has a moveable arm, just like a modern-day doll. It is
possible that this figure represents the tomb owner, although another
suggestion is that it was part of a large group and it would have been the
overseer or someone else of authority. This idea came from the positioning of
the feet (the left foot is in front of the right foot) and the fact that it
would have held a staff in his hand.
Fig. 5: Tomb model (W434) |
The
wooden goose (fig. 6) was by far my favourite object from this week. It has
long been suggested that W588 is a fake, mainly because its base is modern.
However, the object was purchased from the collection of William MacGregor (lot
576), with the catalogue stating that it came from Arab el-Birk, near Asyut. There
are the remains of a possible dowel on the top of the goose, which suggests that
it may have been hung and held by a big servant figure.
Fig. 6: Model goose (W588) |
This
course has been very interesting and I would like to thank Ken Griffin and the
Egypt Centre for offering them. It’s been an awesome experience!
Bibliography:
Bourriau, J. (1988) Pharaohs and
mortals: Egyptian art in the Middle Kingdom. Cambridge: Cambridge
University Press.
Grajetzki, W. (2006) The Middle Kingdom
of ancient Egypt: history, archaeology and society. Duckworth Egyptology.
London: Duckworth.
Oppenheim, A., D. Arnold, D. Arnold, and
K. Yamamoto eds. (2015) Ancient Egypt Transformed: The Middle Kingdom.
New Haven; London: Yale University Press.
Robins, G. (1997) The art of ancient
Egypt. London: The British Museum Press.
Sotheby, W. H. (1922) Catalogue of the
MacGregor Collection of Egyptian Antiquities. London: Davy.
Tooley, A. (1995) Egyptian models and
scenes. Shire Egyptology 22. Risborough: Shire Publications.
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