The
blog post for this week is written by Molly Osborne, an Egypt Centre volunteer
and third year student of Egyptology and Classical Civilisation.
From the 27th August until the 21st September, six students, including myself, are doing a third year practicum module at the Egypt Centre. On Wednesday 4th September, Ken Griffin asked for one of us to help with something, without giving any indication as to what this would entail. I offered to help and it turned out that this involved moving a decorated Amarna storage jar from the old storage room to the new one (fig. 1).
From the 27th August until the 21st September, six students, including myself, are doing a third year practicum module at the Egypt Centre. On Wednesday 4th September, Ken Griffin asked for one of us to help with something, without giving any indication as to what this would entail. I offered to help and it turned out that this involved moving a decorated Amarna storage jar from the old storage room to the new one (fig. 1).
Fig. 1: The moving team (L to R) of Jiayun Zhu, Sam Powell, Ken Griffin, Molly Osborne |
When
we arrived at the old storage facility, I saw W193 for the first time. It is a
large storage jar with beautiful decoration on it of lotus plants and fruit.
The neck of the jar is decorated with big, blue lotus petals, and separates the
neck and the body with a red band. The body of the jar is separated into three
sections; the first and second sections have the same pattern of overlying blue
lotus petals, which are separated by red bands. The third is decorated with
white lotus flowers (fig. 2). This type of decoration is typical of vessels
dating to the late Eighteenth Dynasty, which are often referred to as “blue painted
ware” or “palace ware” (Rose 2007).
Fig. 2: Decoration of W193 |
On
the side of the vessel is what appears to be a manufacturer’s mark, in the
shape of an upside down bow (fig. 3). I plan look at this further in the hope
of finding parallels—perhaps some readers who have worked on Amarna pottery
are familiar with it?
It
is evident looking at the jar that the cracks were fixed with a putty-like
substance, with the object file for W193 stating that the jar arrived in
Swansea in twenty fragments. It was subsequently pieced back together again by
the Chemistry Department at Swansea University. The vessel was accompanied by a Wellcome label giving the number as 153449. This has allowed us to trace the
flimsy slip in the Wellcome archives (fig. 4), which shows that it was part
of the distribution of finds from the Egypt Exploration Society, most likely
from their 1930–1931 excavation season at Amarna (Frankfort & Pendlebury 1933). In fact, the Egypt Centre has large quantities of Amarna pottery, some on display and even more in storage!
Fig. 4: Flimsy slip from the Wellcome archives for W193 |
The
jar was originally on display in the old Wellcome Museum between the 1970s–1990s.
At some point it seems to have been exposed to direct sunlight, which resulted in
the paint flaking off one side of the vessel (fig. 5). A chemical agent that
had been applied to the surface of the jar during the conservation process in
the 1970s may have accelerated this process. W193 will eventually be treated by
the conservation department at Cardiff University, whom the Egypt Centre
works very closely with.
Fig. 5: W193 showing the flaking to the surface on the right side |
The
process of transporting W193 to the new storage facility was done very
carefully. The object was placed on a trolley, which was very intense to watch.
I certainly wouldn’t have wanted to move it myself because the jar is so
fragile! The trolley was slowly moved by Ken, Jiayun Zhu (a Museum Studies placement
student from Leicester University), Sam Powell (Egyptology Masters student at Swansea
University), and myself. We had to remove all lanyards and jewellery before
moving the object and we had to wear gloves so that we could hold the top of
the jar firmly (fig. 6). We also wrapped the trolley and the top of the neck
of the jar with bubble wrap to protect it from the wind. Thankfully, the
journey from the old store to the new one was only a distance of about 100
metres!
Fig. 6: Transporting W193 |
On the following day the
other practicum students assisted in transporting more objects and I think they
would agree that doing this was so intense but also so cool. After writing
this, I realised describing this experience sounds mundane and normal, but to
me it meant a lot. This was the first object I had transferred and I hope in
the future to have more opportunities like this. The practicum module at the Egypt Centre has provided me with real experiences that I wouldn’t usually get through other modules. I would like to thank Ken and
the Egypt Centre for this opportunity as it is certainly something I’ll never
forget (fig. 7)!
Fig. 7: Me with the pot following transportation |
Bibliography:
Frankfort, H. and J. D. S. Pendlebury
(1933) The city of Akhenaten. Part II: The north suburb and the desert altars. The excavations at Tell el Amarna during the seasons 1926–1932.
MEES 40. London: Egypt Exploration Society.
Rose, P. J. (2007) The Eighteenth
Dynasty pottery corpus from Amarna. Egypt Exploration Society, Excavation
Memoir 83. London: Egypt Exploration Society.
Great work Molly, well done.
ReplyDeleteNice job Molly! Regarding the potter's mark (?), you might have a look at Pictograms or Pseudo Script? Non-Textual Identity Marks in Practical Use in Ancient Egypt and Elsewhere, edited by Ben Haring and Olaf Kaper. Perhaps there is something in there. Haring and others have also published on pseudo-scripts in Egypt elsewhere, so there might be other relevant publications.
ReplyDeleteThanks Troy. I'll pass it on to Molly!
DeleteThis comment has been removed by the author.
ReplyDeleteExciting stuff!
ReplyDelete